Technical Specifications
| Runtime | 2 hr 42 min (162 min) |
|---|---|
| Aspect Ratio | 1.37 : 1 |
| Camera | Kinor-35C, Zeiss Super Speed and Cooke Varotal Lenses Mitchell NC, Zeiss Super Speed and Cooke Varotal Lenses |
| Laboratory | Mosfilm, Moscow, Soviet Union (color) |
| Film Length | 4,424 m (Italy) 4,430 m (Sweden) |
What camera did Andrei Tarkovsky use?
The movie The Mirror, released in 1975 and directed by Andrei Tarkovsky, was shot on film using ARRI Cameras, Mitchell BNCR Camera with Georgi Rerberg as cinematographer and editing by Lyudmila Feyginova.
What lens did Akira Kurosawa use?
Sudhakaran points out that one of the most famous directors in film history, Akira Kurosawa, is often believed to have used long zoom lenses as well, but actually worked mostly in the 35mm to 50mm range. Only occasionally would Kurosawa use telephoto for its extreme compression.
What lenses did Bresson use?
He is famous for always using a 50 millimeter lens, saying that, “To be constantly changing lenses in photographing is like constantly changing one’s glasses.” The 50 millimeter lens is the normal lens, the one thought to most closely approximate how the human eye sees.
What lenses did Ozu use?
The brilliant Japanese director Yasujiro Ozu is known for shooting his entire filmography on a single 50mm lens. Pretty incredible to conceive of, considering the massive effect he had on cinema. It’s interesting to note how often the 40mm focal length comes into play.
What film stock did Tarkovsky use?
In Stalker, Tarkovsky again secured the use of Kodak, but this time he was given a poisoned chalice. Something went badly wrong when the stock was processed. 10 Accounts of what precisely happened at the Mosfilm laboratories and why, and of precisely how much footage was destroyed, differ.
What did Tarkovsky shoot on?
The film had been shot on new Kodak 5247 stock with which Soviet laboratories were not very familiar. Even before the film stock problem was discovered, relations between Tarkovsky and Stalker’s first cinematographer, Georgy Rerberg, had deteriorated.
What lens does Quentin Tarantino use?
The filmmakers decided to shoot anamorphic 2.40:1 and use the same Panavision Primo lenses they had chosen for Inglourious Basterds. Tarantino’s affection for wider focal lengths meant the 40mm or 50mm was often on the camera.
What lens does Steven Spielberg use?
Steven Spielberg is a known fan of the 27/28mm lens; Wes Anderson shot almost the entirety of Bottle Rocket on a 27mm Panavision Primo, before turning to the 40mm anamorphic as his staple. Some directors, such as Alejandro González Iñárritu, have shown a tendency to go even wider.
When would you use a 28mm lens?
28 mm lenses are better for landscape and architecture photography because it can take in more of the scene due to the wider field of view. The short focal length also gives the 28mm a more unique look thanks to it’s wider angle of view and lens distortion.
What lenses did Stanley Kubrick use?
Kubrick used Nikon stills lenses—purchasing every lens available on the market. Image via Warner Bros. Kubrick originally wanted to only use Nikon stills camera lenses due to how fast they are—1.4, 0.95, etc. So, he did what any filmmaker would do.
What lenses does Martin Scorsese use?
Focal lengths and lenses used by great directors
| S. No. | Director | Focal length, Lens |
|---|---|---|
| 8 | Martin Scorsese | 25mm and wider, 32mm (The King of Comedy), long lenses for Raging Bull |
| 9 | Joel and Ethan Coen | 27 and 32mm (Stays between 25-40mm) |
| 10 | David Cronenberg | 27mm |
| 11 | David Fincher | 27mm and 35mm |
What lens does Terry Gilliam use?
Of course, not every director has a lens nicknamed for them because of their signature usage like Gilliam and the 14mm lens, known by many filmmakers as “The Gilliam” lens. His use of expanded wide-angle lenses and surreal, disorienting environments have put him into a class all his own.
What cameras does Wes Anderson use?
Yeoman, who always operates the camera on Anderson’s movies, shot The French Dispatch on 35mm celluloid, utilizing KODAK VISION3 200T Color Negative Film 5213 for the movie’s color sequences and EASTMAN DOUBLE-X Negative Film 5222 for the B&W sequences.
What lenses does Chris Nolan use?
For their final chapter of the Batman saga, director Christopher Nolan and cinematographer Wally Pfister, ASC decided to take the anamorphic 35mm/15-perf 65mm combination they had used on The Dark Knight (AC July ’08) even further by significantly increasing the amount of Imax material in the new film.
What lens does Birdman use?
Iñárritu, was shot on digital using ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera and Leica Summilux-C Series Lenses, Zeiss Master Prime Lenses with Emmanuel Lubezki as cinematographer and editing was done on the Avid Editing System by Douglas Crise, Stephen Mirrione.
How do you film like Tarkovsky?
5 Film Techniques You Can Learn From Andrei Tarkovsky Right Now
- Long takes build viewer immersion.
- Sound design puts us in the mind of the character.
- Embrace the abstract.
- Build character through action.
- Build “pressure” before cutting.
What is Tarkovsky’s best film?
1. Stalker (1979) Stalker is the best film of Andrei Tarkovsky, one of the greatest filmmakers in the history of cinema.
Why does Tarantino use trunk shots?
In his early films, Tarantino uses the trunk shot as a means to further introduce his characters and develop them into more nefarious and gritty criminals, as seen in Reservoir Dogs, Pulp Fiction, and Jackie Brown.
What camera was used for Once Upon a Time in Hollywood?
Panaflex Millennium XL2 Camera
The movie Once Upon a Time… in Hollywood, released in 2019 and directed by Quentin Tarantino, was shot on film using Panavision Panaflex Millennium XL2 Camera and Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses with Robert Richardson as cinematographer
What lens does Tarantino use for crash zooms?
To perform a proper in-camera, Tarantino-style crash zoom, I need a parfocal zoom lens. This type of lens allows you to keep your subject in focus while zooming. Unfortunately, all I have is a basic 18-35mm DLSR lens, certainly not the tool for capturing a banging crash zoom.
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