The movie The Mirror, released in 1975 and directed by Andrei Tarkovsky, was shot on film using ARRI Cameras, Mitchell BNCR Camera with Georgi Rerberg as cinematographer and editing by Lyudmila Feyginova.
What Polaroid did Tarkovsky use?
The chose The Blue Danube. Antonioni, too, made great use of a Polaroid at the time, and I remember that during a reconnaissance in Uzbekistan for a film that in the end we never made, he wanted to give three elderly Muslims a photograph he had taken of them.
What did Tarkovsky shoot on?
The film had been shot on new Kodak 5247 stock with which Soviet laboratories were not very familiar. Even before the film stock problem was discovered, relations between Tarkovsky and Stalker’s first cinematographer, Georgy Rerberg, had deteriorated.
What lens did Tarkovsky use?
Tarkovsky’s Lomo lenses can now be adapted from their original Konvas OCT18 mount to Micro 4/3rds or PL (for Canon and Red, provided you remove the pesky mirror box from your 5D Mark II) and used on DSLRs to ‘put the life back in’.
How do you film like Tarkovsky?
5 Film Techniques You Can Learn From Andrei Tarkovsky Right Now
- Long takes build viewer immersion.
- Sound design puts us in the mind of the character.
- Embrace the abstract.
- Build character through action.
- Build “pressure” before cutting.
What is Tarkovsky’s best film?
1. Stalker (1979) Stalker is the best film of Andrei Tarkovsky, one of the greatest filmmakers in the history of cinema.
What lens does Spielberg use?
Steven Spielberg is a known fan of the 27/28mm lens; Wes Anderson shot almost the entirety of Bottle Rocket on a 27mm Panavision Primo, before turning to the 40mm anamorphic as his staple. Some directors, such as Alejandro González Iñárritu, have shown a tendency to go even wider.
What mm lens do movies use?
And while on paper it may not seem or sound like the most exciting lens choice, keep in mind that the 28mm lens has been a gold standard in shooting motion pictures for over a century, being used to capture some of the most recognizable moments in cinematic history.
What lens did Ozu use?
50mm lens
The brilliant Japanese director Yasujiro Ozu is known for shooting his entire filmography on a single 50mm lens. Pretty incredible to conceive of, considering the massive effect he had on cinema. It’s interesting to note how often the 40mm focal length comes into play.
Why is Tarkovsky great?
Tarkovsky for me is the greatest [director], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.” In 1987, a few months after Tarkovsky’s passing Akira Kurosawa would praise his “unusual sensitivity [as] both overwhelming and astounding.
How was Andrei Tarkovsky?
After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; Nostalghia (1983) and The Sacrifice (1986) were produced in Italy and Sweden respectively.
| Andrei Tarkovsky | |
|---|---|
| Awards | Lenin Prize (1990) BAFTA (1988) |
Who has Tarkovsky influenced?
Of the filmmakers who influenced Tarkovsky, those he himself cites combine key Russian forbears – Pudovkin, Eisenstein, Dovzhenko – with a familiar list of post-war international masters: Antonioni, Bergman, Bresson, Buñuel, Dreyer, Fellini and Kurosawa.
Why did Tarkovsky leave Russia?
Tarkovsky’s decision to renounce his Soviet citizenship followed the refusal of Soviet authorities to grant him an indefinite stay in Italy, where he was making ”Nostalgia,” and coincided with new guidelines requiring movie-makers to devote more attention to contemporary problems and workers’ lives.
Is Andrei Tarkovsky the greatest director of all time?
Sight & Sound’s 2012 poll of the best films of all time saw no less than three of his movies – Mirror (1974), Andrei Rublev (1966), and Stalker (1979) – voted into the top 30 by critics and directors. Ingmar Bergman once said: “Tarkovsky is the greatest of them all.
What order should I watch Tarkovsky?
The Films of Andrei Tarkovsky, in order of personal preference
- Stalker (1979) Not Rated | 162 min | Drama, Sci-Fi.
- Solaris (1972) PG | 167 min | Drama, Mystery, Sci-Fi.
- Andrei Rublev (1966)
- The Sacrifice (1986)
- Mirror (1975)
- Ivan’s Childhood (1962)
- Nostalghia (1983)
- Voyage in Time (1983 TV Movie)
What lens does Tarantino use?
Quentin Tarantino frequently uses 40mm and 50mm anamorphic lenses. According to ASC Robert Richardson, who has worked with Tarantino on different projects such as Kill Bill, Inglorious Basterds, and Django Unchained, Tarantino “doesn’t like the foreground-background separation that a long lens creates.” [see 4].
What lens does Quentin Tarantino use?
The filmmakers decided to shoot anamorphic 2.40:1 and use the same Panavision Primo lenses they had chosen for Inglourious Basterds. Tarantino’s affection for wider focal lengths meant the 40mm or 50mm was often on the camera.
What camera does Wes Anderson use?
Yeoman, who always operates the camera on Anderson’s movies, shot The French Dispatch on 35mm celluloid, utilizing KODAK VISION3 200T Color Negative Film 5213 for the movie’s color sequences and EASTMAN DOUBLE-X Negative Film 5222 for the B&W sequences.
Which is better 28mm or 35mm?
In general, a 35mm lens is slightly better for subject-based photography, while the 28mm is better for landscape photography. Of course, there are more photography disciplines than those two, so it is best to not base the whole decision around this point.
What is the 85mm lens best for?
What Type of Photography Is Best With an 85mm Lens? An 85mm lens is excellent for portrait work. By isolating the subject and minimizing distortion, this lens can produce captivating, flattering portraits, headshots, and full-body images.
Which lens is better 35mm or 50mm?
You would see that the 50mm gives you a shallower depth of field and better bokeh. The 35mm, on the other hand, will fit more into the frame, making it more suitable for landscape and indoor photos.
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