Released in September 2020, the Sony a7S III is an astoundingly great mirrorless camera and perfect for low light shooting. Its main aim is to please the videographers and filmmakers who want a powerful, compact mirrorless camera that records 4K … Continue reading →

The A7C carries a 24.2 megapixel full-frame sensor capable of shooting up up to 10 frames per second. It has a native ISO range of 100-51200, extendable to 50–204800. What is Sony a7iii native ISO? Native value is ISO800 on … Continue reading →

Why do photographers carry multiple cameras? The reason for shooting two cameras is to seamlessly switch from one camera to the other. If you have to make a mental switch as to which camera you are using, and where this … Continue reading →

Wedding photography is stressful – at times. It’s really like any customer oriented job in this way, though! There will be some weddings that are super easy. Sometimes we get anxious just because things are going so smoothly, and our … Continue reading →

15 stops. Imaging. The a7R III uses the same full-frame 42MP BSI CMOS sensor as its predecessor. Sony states that improved circuitry and image processing deliver improvements in image quality. Notably, the Raw dynamic range is rated at 15 stops, … Continue reading →

Canon released a webcam utility that allows you to use select Canon DSLRs, mirrorless cameras, and PowerShot cameras as a webcam. The software will work with both Windows 10 and macOS Catalina and higher. Can I use mirrorless camera as … Continue reading →

7 Favorite Mirrorless Cameras for Video in 2020 Panasonic Lumix GH5S. The Panasonic Lumix GH5S is one of the most feature-rich mirrorless cameras on the market. Sony a7R IV. There is a lot to love about the a7R IV. Sony … Continue reading →

Internal Full Frame and Super 35 4K Recording The a7R II records 8-bit 4:2:0 4K (UHD) video at 24/25 fps internally to SD cards using Sony’s XAVC S codec, which is available at bitrates of 50 Mbps or 100 Mbps. … Continue reading →

The stabilizers are shaped like airplane wings and extend out from the side of the hull in a perpendicular fashion when in use. They can pivot up and down like the ailerons on an airplane’s wings. Consequently, as the water … Continue reading →

Some of the aspects we have to consider when we have to select an IMU are performance, underlying technology, SWaP (Size, Weight, and Power) and Cost. Besides, another important factor in UAVs is the ruggedness of the IMU. In harsh … Continue reading →

How to view your IP camera remotely via a web browser Find your camera’s IP address. Open a web browser and type the IP address. Go to SETTING > BASIC > Network > Information to find the HTTP port number … Continue reading →

Soft contact lenses should move around a little bit—one to two millimeters—every time you blink. Gas permeable contacts may move even a little more than that. But in general, if your lenses are moving around a lot, ask your optometrist … Continue reading →

Those mean 1/30, 1/100, and 1/500 second respectively. For slower shutter speeds, my Canon uses a slightly different display: 1/4 sec is displayed as 4, but then it goes to 0”3, which means . 3 seconds, then 0”4, 0”5, 0”6, … Continue reading →

Seven things that directors should always have with them when working are storyboards, a shot list, a director’s viewfinder (app versions like Magic are ok!), a DSLR, a wired or wireless monitor, a light meter (real or app), and an … Continue reading →

These five tools are must-haves for any up-and-coming director. Director’s Viewfinder. Image via B&H. Poorly planned blocking and camera placements account for more wasted time on set than anything else. Light Meter. Image via B&H. Wireless Monitor. Image via B&H. … Continue reading →